Sayadaw U Kundala’s Teaching Style, Silent, Exacting, and Anchored in Direct Experience
Sayadaw U Kundala stays with me when words feel excessive and silence feels like the real instruction. It’s 2:11 a.m. The light in the corner is too bright but I’m too lazy to turn it off. My calves feel tight, like I walked more than I remember. There’s a faint ringing in my ears that only shows up when everything else quiets down. I’m sitting, sort of. Slouched but upright enough to pretend. Sayadaw U Kundala drifts into my thoughts, appearing not as an image but as a distinct internal pressure to strip everything away.The Uncushioned Fall of Direct Instruction
I remember how little he spoke. Or maybe it just felt like little because nothing was wasted. He didn't believe in "small talk" or preparing the student; he gave the instruction and then let the silence do the work. That style of guidance is challenging for me; I am accustomed to being persuaded, comforted, and given detailed explanations. Quietude offers no such comfort; it simply remains. It assumes you’ll deal with whatever comes up without commentary cushioning the fall.
Right now my mind is anything but silent. Thoughts keep stacking. Meaningless fragments: wondering about an email, analyzing a physical pain, questioning the "rightness" of my sit. The irony isn’t lost on me. Precision and silence are exactly what I don’t have tonight. Yet, his influence makes me want to stop "improving" my state and focus instead on not making it more complicated.
The Layers of the Second Arrow
I can hear the thin, persistent sound of a mosquito, an invisible source of frustration in the dark. I feel an immediate sting of irritation. Then, with even greater speed, I recognize that I am irritated. Following that, I begin to judge the quality of my own observation. The complexity is draining. We talk about "bare awareness" as if it were simple, until we are actually faced with a mosquito at 2 a.m.
I realized today that I was over-explaining meditation to a friend, using far more words than were necessary. In the middle of the conversation, I knew most of my words were superfluous, yet I continued out of habit. Sitting here now, that memory feels relevant. Sayadaw U Kundala wouldn’t have filled the space like that. He would’ve let the awkward pause hang until something real showed up or nothing did.
Precision over Control
My breath feels uneven. I notice it without trying to smooth it out. The inhalation is jagged, the exhalation is protracted; the chest constricts and then softens. There’s a subtle urge to adjust, to refine, to make it cleaner. Precision whispers. Silence counters. Just this. Just now. I feel the mosquito land; I hold still for an extra second, then I swat it away. There’s a flicker of annoyance, then relief, then a weird guilt. All of it happens fast.
Experience unfolds regardless of my ability to grasp it. It just continues. This is the "no-excuses" core of the practice. No narrative. No interpretation. If something hurts, it hurts. If the mind wanders, it wanders. If nothing special happens, then nothing special happens. The silence around it doesn’t judge or encourage. It just holds.
My back is hurting again in that same spot; I move a fraction, and the sensation changes. I see the mind trying to turn "less pain" into a "good sit." I note the thought and let it go. Or I do, briefly, then drop it. Hard to tell. Precision isn’t about control. It’s about accuracy. It is about perceiving the raw reality, not the version I want to tell myself.
I feel his influence tonight as a call to hold back—to use fewer words and less effort. Less speech, fewer final answers, and no narrative. I am not looking for comfort; I am looking for the steadiness that comes from his uncompromising silence. Comfort wraps click here things up. Steadiness lets them stay open.
The room stays quiet. My thoughts don’t. The body keeps shifting between discomfort and tolerable. There is no resolution, and none is required. I sit here a little longer, not trying to extract meaning, just letting experience hit directly, unfiltered, unfinished, and strangely, that feels more authentic than any intellectual explanation I could manufacture.